ROTKAMMERTRAUM - Ensemble Performance

Fang-Yu
Shen

Dancer · Choreographer · Dance Educator

Based in Germany

Choreography, interdisciplinary performance, and inclusive dance are not separate fields for Fang-Yu Shen, but expressions of one practice. At its center is a single question—how bodies are seen, shaped, and understood, and how dance can connect different experiences and forms of perception.

About

Artistic Statement

Fang-Yu Shen's practice brings together choreographic creation, interdisciplinary collaboration, and inclusive approaches to movement. Rather than treating dance as a fixed technique, she understands it as a way of perceiving and articulating the body—one accessible to people of different backgrounds and abilities. She is interested in how bodies are seen, shaped, and understood in different contexts, and how dance can create connections across experiences, disciplines, and forms of perception.

Biography

Fang-Yu Shen - Portrait

Fang-Yu Shen is a Taiwan-born, Germany-based choreographer and dance artist whose work unfolds across theatre, music, and site-responsive performance contexts.

She received her formal dance training in Taiwan before continuing her studies at Folkwang University of the Arts in Essen, where she developed a distinct choreographic language that bridges Eastern sensibilities with the physical and individual-oriented approach of the Folkwang tradition. She graduated with a Master's degree in Choreography in 2011.

Her early works were recognized in several international choreography competitions, and she was invited to work as an in-house choreographer with Scapino Ballet Rotterdam. During this period, she created stage works that combined precise physicality with a subtle sense of humor, including Rotkammertraum, inspired by the classical Chinese novel "Dream of the Red Chamber."

In recent years, Shen has expanded her practice beyond traditional theatre settings. She has collaborated with the Düsseldorf-based underground rock band Amour Vache, developing performances that integrate live music and choreographic structures. She has also worked with Romanian artist Alexandra Pirici in the context of museums and festivals, engaging in performative formats that question the boundaries between choreography, presence, and visual art.

Alongside her artistic work, Shen has developed a long-term engagement with dance education in diverse social contexts, including work with children and people with disabilities. This experience has deeply influenced her artistic perspective. Rather than approaching dance as a fixed technique, she understands it as a way of perceiving and articulating the body—one that can be accessed by individuals with different backgrounds and abilities.

For Fang-Yu Shen, choreography, interdisciplinary performance, and inclusive dance are not separate departments but different expressions of one artistic practice. All three draw on the same curiosity about how the body perceives, articulates, and connects.

Choreography

Stage works, festival and competition pieces, institutional collaborations

2018Appalachian SpringFolkwang Universität der Künste · Bochumer Symphoniker
2018Kiss the Void of East and WestScapino Ballet Rotterdam · TWOOLS18
2016AufdrehenScapino Ballet Rotterdam · Holland Dance Festival
2015ROTKAMMERTRAUMFolkwang Tanzstudio · Beijing Cao Xueqin Society
2015Dance AbleScapino Ballet Rotterdam · Holland Dance Festival
2014Smashroom, too.Scapino Ballet Rotterdam · TWOOLS16
2014PeregrinusTanzFaktur Köln
2013Let It SpinScapino Ballet Rotterdam
2013Countless In Reversing GearScapino Ballet Rotterdam
2012The Page TurnerFolkwang Tanzstudio
2012For the UnsaidFolkwang Tanzstudio

Interdisciplinary Performance

Works with musicians and visual artists, in museums and public space

International Collaboration

Monument · Human Landscape · Leaking Territories

2017–2020 · Alexandra Pirici

London Block Universe · LWL-Museum Münster

Amour Vache

2016–2020 · Interdisciplinary concerts and projects

Dancer / performer

2017–2020
Monument · Human Landscape · Leaking Territories
Alexandra PiriciLondon Block Universe · LWL-Museum Münster
2016–2020
Amour Vache
Interdisciplinary concerts and projectsDancer / performer
2016–2017
WOHIN? ORGEL & Tanz · Blickwechsel
Henrietta HornDance improvisation
2011
Sanguis 2011
Urs DietrichFolkwang Tanzstudio, Essen
2008–2009
Choreographic works
Stephan Brinkmann · Urs DietrichFolkwang Hochschule, Essen

Inclusive Dance & Artistic Mediation

Long-term formats with schools and inclusive institutions

Dance Able duet, dancer in wheelchair and standing dancer in motion
Dance Able duet, silhouette of dancer in wheelchair and standing dancer
Dance Able duet, dancer in wheelchair and standing dancer in close embrace

Dance Able · Holland Dance Festival, 2015 · Photo: Joris Jan Bos

KiT Theater Performance
KiT Ensemble

KiT - Inclusive Theater, Duisburg-Marxloh

2025–2026TanzvermittlungTandem Tanz und Schule NRW
2020–2026KlangKörperOffene Jazz Haus Schule Köln
2017–2024Tanz-AGLVR-Christoph-Schlingensief-Schule
2012–2025Choreografin und künstlerische BegleitungInternationales Jugend- und Kulturzentrum Kiebitz e.V., Duisburg
2022–2024TanzworkshopsArt Obscura, Mülheim an der Ruhr
2012–2025Choreographic Director, KiTKiebitz Inklusives Theater Duisburg-Marxloh
2011–2014Dance workshopsWuppertaler Werkstatt e.V.

Teaching Concept

Contemporary Dance Practice in the Bachelor's Programme in Dance

My teaching connects artistic practice, pedagogical responsibility, and continuous reflection, drawing on long-standing experience in professional dance, choreography, and dance education.

My Understanding of Teaching

Technique

expands physical possibilities.

Perception

creates awareness of one's own body and surroundings.

Decision

emerges from perception.

Independence

develops from repeated decisions of one's own.

My teaching rests on four connected terms. I do not hand over ready-made solutions: I set a clear framework, ask questions, give precise feedback, and guide students towards responsibility for their own artistic development.

Dancer in a deep lunge, holding a large glass sphere overhead
Two dancers in close partner work, one holding a translucent sphere
01

Technique & Perception

I do not treat contemporary technique as an end in itself, but as the foundation for perceiving one's own body, expanding movement possibilities, making decisions, and acting with growing artistic independence.

02

Improvisation & Choreographic Thinking

Working with clear frameworks and open tasks, students generate their own material and learn to select, transform, and structure it into choreographic decisions — knowing that artistic processes are rarely linear.

03

Mentoring & Collaboration

I guide dancers individually — shaped by long-term work with an inclusive ensemble and with professional companies such as Scapino Ballet Rotterdam and the Folkwang Tanzstudio — so they experience how collaborative rehearsal processes really work.

04

Reflection & the Professional Field

Conversation, observation, and feedback turn mistakes into part of an artistic research process, preparing students for the varied realities of professional dance.

Teaching & Community

Alongside her work as a choreographer and performer, Fang-Yu Shen understands teaching as a practice that connects contemporary dance technique, body awareness, improvisation, and choreographic thinking. Her aim is to support dancers in developing technical precision, presence, curiosity, decision-making, and an independent artistic voice.

Current Teaching

KlangKörper

2020–2026

Offene Jazz Haus Schule Köln

Dance educator in JeKits with primary-school children: contemporary dance, body awareness, improvisation, and choreography.

Tandem Tanz und Schule NRW

2025–2026

School-based artistic education

Dance education and artistic-pedagogical project work in schools.

Art Obscura

2022–2024

Mülheim an der Ruhr

Artistic-pedagogical dance workshops with older people and people with disabilities.

LVR-Christoph-Schlingensief-Schule

2017–2024

Dance AG

Artistic-pedagogical work with students with different physical and cognitive abilities.

International Youth and Culture Center Kiebitz e.V.

2012–2025

Duisburg

Choreographer and artistic-pedagogical mentor for an inclusive dance/theatre ensemble.

Wuppertaler Werkstatt e.V.

2011–2014

Contemporary dance

Dance educator for contemporary dance.

Pedagogical Projects

Der Laden ohne Kunden

2024 · Solo Dance Piece · KlangKörper-Aktionstag

IM RIESENGRAS

2023 · With Benedetta Reuter · For ages 6+

Trio

2024 · Pedagogical Context · Brotfabrik Bonn

Teaching is grounded in four connected principles: technique, perception, decision, and independence. Her long-standing work with children, youth, professional dancers, and people with diverse physical and cognitive abilities informs an attentive, adaptable, and practice-based approach.

Press & Recognition

Awards

Folkwang Tanzpreis

2010

Josef und Else Classen Stiftung

Kritikerpreis (Critics' Prize)

2011

25th International Choreography Competition, Ballett Gesellschaft Hannover

For 'In a Frame of Reference'

Finalist

2011

NO BALLET Competition, Ludwigshafen

For 'In a Frame of Reference'

2nd Prize

2012

26th International Choreography Competition, Hannover

For 'Countless In Reversing Gear'

Scapino Production Prize

2012

26th International Choreography Competition, Hannover

For 'Countless In Reversing Gear'

3rd Prize

2012

NO BALLET Competition, Ludwigshafen

For 'Countless In Reversing Gear'

'For Harmony In Dance' Award

2012

International Festival, Vitebsk (Belarus)

For 'Countless In Reversing Gear'

Press

Newcomer Feature

tanz magazine · February 2013

Germany's leading dance journal

Contact

For inquiries regarding performances, collaborations, or educational workshops.

Get in Touch